The 13th edition of Kyotographie will feature the likes of Pushpamala N, Mao Ishikawa and Graciela Iturbide

One of Japan’s few truly international artistic events is happening now. Founded after the Fukushima nuclear disaster by a couple—photographer Lucille Reyboz and lighting director Yusuke Nakanishi—this year’s Kyotographie would be the 13th edition since its inception, and the country’s largest photography festival at that.

The theme this year is Humanity, a reality that encompasses the experiences and qualities that define us as individuals and a collective. Illuminated through two distinct cultural perspectives—Japanese and Western—Kyotographie explores the diversity of the human experience. While Western traditions often highlight individuality and autonomy, the Japanese concept is deeply rational, emphasising harmony and interdependence.

Installed in public spaces and private buildings around Kyoto, the festival opens up the city to 14 artists from across the world—from India’s Pushpamala N and Japan’s Mao Ishikawa to Mexico’s Graciela Iturbide and France’s Eric Poitevin—relying on them to introduce a diverse range of thoughts and ideas to a place that takes tradition seriously.

“Through Kyotographie, we hope we can contribute to bring about changes to our world,” said Nakanishi in a statement. “If Japanese people are able to think with their own minds, they can lead their lives without being swayed by media or politics. In order to create such a world, Kyotographie will continue to constantly raise questions, and [be] willing to challenge taboos and venture into new frontiers if it is to bring about changes for the better.”

Kyotographie is happening in Kyoto until 11 May 2025. Find out more about the programmes and tickets here. Featured photo of The Chronicles of Kyoto, Close Up, Japan, 2024 by JR